![]() ![]() Very approachable interface, given the number of tools on offer.Automatically corrects lens defects for thousands of lens/body combinations.Accepts raw files from 500+ different camera models. ![]() Comprehensive image management and editing features.Updates include an uprated version of the DeepPRIME engine, a more powerful retouching tool, integration of keystoning features from DxO ViewPoint, a new internal color space called DxO Wide Gamut, tools for soft-proofing your creations prior to printing, and a raft of minor enhancements to image management, cropping and more. ![]() Now here comes PhotoLab 6, yet another major release from the French company to see us through the next year, and this one promises to be more capable than ever. It also took on the clever U-Point local editing tech that DxO first inherited when it bought Google's Nik Collection suite, and offered better image management tools to boot. In the intervening version 5, PhotoLab finally received support for Fujifilm X-Trans cameras, answering the pleas of the Fujifilm faithful. Basically, because once those edits are baked into a TIFF, say, and returned to Lightroom I can only go non-destructive from that point.It's likewise been a couple of years since last we looked at PhotoLab 4, so before we introduce the new PhotoLab 6, perhaps a little catchup is in order. I only use PL for the things it does clearly better. Beyond this, I find LR easier to use for local adjustments, with PS6 as a fall-back for more complex edits.Īnd thirded by me. PL does the front part: PRIME noise reduction (excellent and far better than Adobe's), ClearView, other tools as needed. I use PL and LR6 in parallel, more rarely PS6 and specialty editors. It's a good way of using a dual monitor setup. Most software allows this or a slight variant, Hi ian, I use 2 monitors, one with the thumbnails and controls and the other with the image. ![]() You can have a grid like LR or I like to have the thumbnails shown vertically as vertical monitor space is limited with 16:9 displays: One tip is that the viewer can be undocked (Ctrl U). My main menu system workspace was shown above. Have you noticed that virtually every tool has a ? which when pressed provides a specific help note on that particular tool?Īlso the UI can be customised to suit you. I'd be happy if PL had something similar. I do think On1 has a good - and lengthy - PDF manual for On1 Raw. While U18 was working it was a close race, and U18 is better documented IMHO. Fortunately, I can still get better results than other sw I'm using, although if ACDSee support can ever figure out why U18 has stopped working on my system, I'll still compare it and PL. The documentation for PL is poor, and for me means I'm sure I'm not getting everything I could from it. Which of the above scenarios applies to you?Īgreed. If you are making adjustments in LR and then sending the raw file to DXO-PL using their plugin, then the adjustments in LR were pointless as you are sending the unadjusted raw file to DXO-PL for conversion If you first adjust in LR and then send the file to DXO-PL then either you are sending a rendered file by LR to DXO-PL, which is fairly pointless as DXO-PL is a raw converter and its ability to edit RGB files is limited. I don't want a video- I want something that I can look up a problem in the index and them read about it- Videos just dont hack it.įrom what you write you are not using DXO-PL as it was intended. It seems for several of these developers (ie Luminar, On1, ACDsee etc) they are good at software development but not so at teaching how to use it. They need to get someone to write a good 3rd party book (a Kelby like manual). Trying to search their online help for issues as simple as keystrokes can be an exercise in frustration. I find I am most often using lightroom 6 for basic development and then going to PL for further adjusting.Ī major frustration has been poor documention and learning aids. The Adobe subscription model pushed me out of their orbit. ![]()
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